The Beyerdynamic DT 48 is the world’s first dynamic headphone, launched in 1939. Its closed, tight-fitting design isolates sound but causes fatigue. Its midrange is superb and revealing—built to monitor voice, sound objects, and mood in reporting, radio, film, and medical audiometry. It is not intended for mastering.
The Beyerdynamic M 88 TG - 90 years edition is a discontinued dynamic microphone. It has been replaced by the M 88 TG. It is no longer sold.
The DT 770 PRO is a closed-back, handcrafted-in-Germany studio headphone. It delivers neutral, precise full-range sound with punchy lows and analytical highs. It isolates exceptionally well. It weighs 375 g including cable. All components are replaceable. It is used globally by music producers, sound engineers, and broadcasters.
The Beyerdynamic M 160 is a hypercardioid ribbon microphone introduced in 1957. It uses dual 15-mm aluminum ribbons suspended between alnico magnets (later neodymium), rotated 90 degrees to achieve end-address operation and a highly directional pickup pattern. It softens harsh characteristics of strident sound sources. It has been used in broadcasting, live concerts, and studio recordings — notably by Eddie Kramer on Jimi Hendrix and Andy Johns on John Bonham’s drums for 'When the Levee Breaks'. It remains in production over six decades later.
The Beyerdynamic M 160 is a hypercardioid ribbon microphone introduced in 1957. It uses dual 15-mm aluminum ribbons suspended between alnico magnets, rotated 90° to achieve end-address directionality. It softens strident sound sources without dulling transients. It was used by Eddie Kramer on Jimi Hendrix’s vocals and amplifier and by Andy Johns on John Bonham’s drums for 'When the Levee Breaks.' It remains in production after over six decades.