audiobriefs
9:17in productionCh. 1 · Filter per pickup/ 9:17 · ceiling 15 min
Instruments · Guitars & amps

Alembic Series II

Stereo per pickup — nothing more, nothing less.

The Alembic Series II is a 4-string bass guitar with stereo output, a 30.75-inch short scale option, and individual low-pass filters with continuously variable Q per pickup. It differs from Series I only in stereo capability and price. No claims are made about tonal superiority, build innovation, or broader usability.

Chapters & takeaways4
  1. 0:47
    Filter per pickup

    Each pickup has its own continuously variable low-pass filter with adjustable Q.

  2. 2:50
    Short scale, narrow fit

    The 30.75-inch short scale is playable for some — but not all — players.

  3. 4:39
    Stereo is the only upgrade

    Stereo output is the sole functional difference from Series I.

  4. 5:55
    No sonic upgrade

    No tone, build or ergonomics improvement — just stereo routing and higher price.

Worth your time?

Yes. Use the whole thing.

3/ 5
What works
  • stereo pickup isolation
  • per-pickup tonal shaping via Q
What does not
  • improve on Series I’s tone
  • offer standard scale length
  • support mono rigs without adaptation
  • justify its higher price with functional gains beyond stereo
Use it if
  • players who route pickups to separate amplifiers
  • studios capturing discrete pickup signals
Skip it if
  • players needing standard scale length
  • musicians using single-amp setups
  • budget-conscious buyers
The written brief1 min read

What it is and what it was built for

The Alembic Series II is a 4-string bass guitar built for players who require stereo output per pickup. It was not built for portability, affordability or broad compatibility.

How it works, in terms a player would use

It gives each pickup its own continuously variable low-pass filter with adjustable Q. A master volume sits after the filters. Stereo output splits the signal — one channel per pickup — requiring two amps or a stereo rig.

What it does better than anything else

It does better than Series I at routing each pickup to a separate amplifier channel. Nothing else in the source material distinguishes its sound, playability or build quality from Series I.

What it does badly

It does badly for players who need standard scale length or mono compatibility. The short scale (30.75 inches) is described as playable only by some — others find it limiting. Stereo output forces complex routing and doubles amp requirements.

What people made with it

The source material does not state what people made with it. No recordings, artists, genres or musical outcomes are named.

Who should use it, and who should not

Use it if you routinely split pickups across stereo amplifiers and accept the short scale and high cost. Do not use it if you rely on mono rigs, need standard scale length, or prioritise value.

Is it worth your time

It is worth your time only if you need stereo separation per pickup and can afford the price premium over Series I. It offers no tonal or ergonomic advantage beyond that.

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