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Microphones & preamps

Neumann M 49

The first remote-switchable mic — and the first to betray omnidirectional mode with proximity effect.

Worth your time?3.5/5Yes.Use the whole thing.What works, what does not, who it is for ↓
10:06in productionCh. 1 · What kind of mic is it?/ 10:06 · ceiling 15 min
4 chapters · 10:06Ceiling 15:00

The brief is written and checked. The video joins this page when it is cut.4 chapters · 1 min read · 10:06 planned

Read the brief

The Neumann M 49 is a large-diaphragm condenser microphone developed at the NWDR’s Central Laboratory in Hamburg. It entered German broadcasting studios in 1952. It was the world’s first microphone with a remotely switchable polar pattern. Its pressure-gradient capsule causes proximity effect even in omnidirectional mode.

Chapters & takeaways4
  1. 1:00
    What kind of mic is it?

    It is a large-diaphragm condenser microphone.

  2. 2:30
    What did it invent?

    It was the world’s first microphone with remote polar pattern switching.

  3. 4:13
    When did it go live?

    It entered German broadcasting studios in 1952.

  4. 5:54
    What does its capsule force you to accept?

    It exhibits proximity effect even in omnidirectional mode.

1 more chapterFewer chapters
Worth your time?

Yes. Use the whole thing.

3.5/ 5
What works
  • audio/microphones-and-preamps
  • audio/studio-and-recording
  • audio/studio
What does not
  • audio/daws-and-software
  • audio/dj-gear
  • audio/effects-and-pedals
  • audio/guitars-and-amps
Use it if
  • audio/microphones-and-preaps
Skip it if
  • audio/headphones-and-hi-fi
  • audio/keyboards-and-organs
  • audio/synths-and-drum-machines
Who should use it, and who should skipHide who it is for
The written brief1 min read

What it is and what it was built for

The Neumann M 49 is a large-diaphragm condenser microphone built for German broadcasting studios. It was developed to give engineers real-time control over pickup pattern without touching the mic. It was developed at the Central Laboratory of the NWDR in Hamburg.

It is made by the German company Georg Neumann GmbH, and it was the world’s first microphone with a remotely switchable polar pattern. It was first designated B-M49, the “B” standing for the British occupation zone in which Hamburg lay at the time. Early prototypes had an unpainted aluminum body and used the MSC2 vacuum tube.

How it works, in terms a player would use

It uses a pressure-gradient capsule. A remote control switches polar patterns.

Production M49s made by Neumann first used the M7 capsule and later the K49 capsule. Proximity effect occurs even in omnidirectional mode.

What it does better than anything else

It does better than any predecessor at letting engineers switch polar patterns remotely during a session.

What it does badly

It does badly at delivering true omnidirectional response. Its pressure-gradient design forces proximity effect regardless of pattern setting.

What people made with it

German broadcasting studios used it from 1952 onward. No other use or user is documented.

The patent application was filed in 1949, but the microphone did not reach German broadcasting studios until 1952. In July 2022 Neumann announced a limited-edition reissue, the M49 V, for which production of the K49 capsule resumed after several decades.

Who should use it, and who should not

Broadcast engineers working with vintage signal chains should consider it. Modern users seeking neutral omnidirectional capture should not.

Is it worth your time

It is worth your time only if you need a historically significant large-diaphragm condenser with remote pattern switching and can accept its atypical omnidirectional behaviour.

Same bench · Microphones & preamps4 of 55
9:09
Neumann KM 56NeumannThe Neumann KM 56 is a small diaphragm condenser microphone in the KM series. It belongs to the category of small diaphragm condenser microphones. It is also referred to as ‘km 56’ or ‘km56’. No technical specifications are provided.
9:04
Neumann U 89NeumannThe Neumann U 89 is a 1980 large-diaphragm condenser microphone built for versatility: five polar patterns via rotary switch, two fixed low-cut filters (80 Hz and 160 Hz), an attenuator, 140 dB SPL handling, and a neutral, less vivid tonal character than the U 87. It excels at distance capture and fits where bulkier mics cannot. It does not offer colouration, warmth or extended sub-bass response. No recordings or users are named in the source material.
13:34
Neumann U 87Neumann · 1967The Neumann U 87 is a large-diaphragm condenser microphone introduced in 1967 as the solid-state successor to the U 67. It features a 25.4 mm diaphragm and three selectable polar patterns — cardioid, omnidirectional, and figure-8. It can be powered by 48V phantom power or two internal 22.5V batteries. The original used the K 87 capsule, a modified version of the K 67. The 1986 U 87A reverted to the standard K 67 capsule and eliminated the dual-battery requirement.
11:02
Neumann TLM 170NeumannThe Neumann TLM 170 is a discontinued large-diaphragm condenser microphone built solely for studio recording. It offers five polar patterns, a -10 dB pad, and a low-cut switch. It ships with a swivel mount and supports U87-style suspension. It fails in live performance. No recordings, artists or sessions are documented in the source material.
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