audiobriefs
8:52in productionCh. 1 · Band count is all it gives/ 8:52 · ceiling 15 min
Instruments

List of vocoders

A list is not a vocoder — and naming it after Roland confuses a Frankish warlord with a Japanese electronics firm.

The 'List of vocoders' is not an instrument. It is a sparse, unattributed enumeration of models and band counts. It contains no operational detail, no historical context for the devices, and no connection to the Roland Corporation. It is a footnote masquerading as a subject.

Chapters & takeaways4
  1. 1:06
    Band count is all it gives

    Band count is the only technical detail provided — and even that is inconsistent, with question marks and dual options.

  2. 1:46
    Roland the man is not Roland the brand

    The name 'Roland' refers to a historical figure from the 8th century, not the company — and the document makes no link between them.

  3. 3:33
    No specs beyond numbers

    No model is described beyond its band count — no format, no year, no synthesis method, no inputs or outputs.

  4. 5:07
    Names without function

    It names devices but supplies no functional context — no player would learn how to route, balance, or perform with any listed unit.

Worth your time?

No. The brief is enough.

1/ 5
What works
  • none
What does not
  • instrument
  • device
  • tool
  • product
Use it if
  • editor
  • researcher
  • fact-checker
Skip it if
  • musician
  • producer
  • performer
The written brief1 min read

What it is and what it was built for

It is a document titled ‘List of vocoders’ that enumerates models made by Roland and others, assigning band counts where known. It was built for reference, not operation.

How it works, in terms a player would use

It works by splitting incoming audio — typically voice and synth — into discrete frequency bands. Each band is analysed and used to modulate a corresponding band of the carrier signal. Band count determines how finely the voice’s spectral shape is imposed on the carrier.

What it does better than anything else

It does not do anything better than anything else. It is not functional. It makes no sound. It cannot be played, patched, tuned, or triggered.

What it does badly

It does nothing badly because it does nothing at all. It is a catalogue, not a device. It offers no synthesis, no routing, no real-time adjustment, and no performance capability.

What people made with it

People did not make anything with it. It is not a tool. It contains no schematics, firmware, or instructions. It is not a manual, a spec sheet, or a user guide.

Who should use it, and who should not

Only researchers or editors verifying band counts across vocoder models should consult it. No musician, producer, or sound designer should use it — it provides no operational insight, no sonic character, and no design rationale.

Is it worth your time

No. It is not an instrument. It is a list. It has no controls, no signal path, no physical interface, no sound, no feel, and no use in a studio or on stage.

Same bench · Instruments4 of 144
10:54
Roland SH-7RolandThe Roland SH-7 is a 1978 duophonic analog synthesizer built to expand on the SH series with greater flexibility and sonic aggression.
10:36
Roland MKS-80RolandThe Roland MKS-80 is an 8-voice, rack-mount, fully analog subtractive synthesizer made from 1984 to 1987. It is the only MKS-series unit with voltage-controlled oscillators—not digitally-controlled ones. Its voice architecture mirrors the Jupiter-6 but adds an HPF, a low boost circuit in the second VCA, and a DC supply current boost. A February 1985 revision introduced updated VCOs, VCAs, and a filter later shared with the JX-8P, JX-10, and MKS-70. Each voice uses two Curtis CEM3340 VCOs. It has no keyboard, no sequencer, and minimal front-panel editing—requiring SysEx tools for deep programming.
10:34
Gibson SGGibsonThe Gibson SG is a 1961 solid-body electric guitar built to deliver upper-fret access and playing speed at the expense of body mass and low-end sustain. Its design choices — double cutaway, thinner contoured body, outward-shifted neck joint, slender mahogany neck — are all functional responses to physical limits players hit on earlier Gibsons. It does not try to be a Les Paul. It tries to be faster, lighter, and more direct — and succeeds on those terms alone.
9:11
Danelectro 59 DCDanelectroThe 59DC was one of the first two reissues of Danelectro's Shorthorn line, sold between 1998 and 2001 with two pickups. The Shorthorn design it reissues is a dual cutaway hollow body of Masonite and poplar, with a Coke bottle style headstock and a seal shaped pickguard carrying stacked tone and volume knobs.
Up next in Audio

Korg VC-10

Korg · 10:18

The VC-10 doesn’t emulate speech — it forces speech into a 32-voice polyphonic grid, and makes you tune each voice by hand.

10:18