audiobriefs
9:16in productionCh. 1 · Student model, redefined/ 9:16 · ceiling 15 min
Guitars & amps

Fender Mustang

It’s not a cult guitar because it sounds great — it’s cult because it refuses to behave like anything else.

The Fender Mustang is a solid body electric guitar introduced in 1964 as the basis of a major redesign of Fender's student models. It was produced until 1982 and reissued in 1990. It features two single-coil pickups, an unusual pickup switching configuration, and a unique vibrato system. It was originally available in two short scale lengths: 24 inches and 22.5 inches. It has two angled single-coil pickups, each with an adjacent on-off-on switch, and a master tone and volume control. It introduced the Fender Dynamic Vibrato tailpiece, which together with a floating bridge forms the Mustang vibrato system.

Chapters & takeaways4
  1. 0:44
    Student model, redefined

    Built for students in 1964 — not as a budget copy, but as a deliberate redesign of how beginners interact with the instrument.

  2. 2:07
    Switching, not selecting

    Two on-off-on switches — one per pickup — give four distinct combinations with zero selector lag.

  3. 3:28
    Short scale, built in

    22.5-inch and 24-inch scale options shrink the fretboard physically — not just in feel.

  4. 5:12
    Vibrato that moves, not locks

    The Dynamic Vibrato tailpiece and floating bridge deliver expressive pitch shifts — at the cost of tuning reliability.

Worth your time?

Yes. Use the whole thing.

3.5/ 5
What works
  • The on-off-on switches deliver instant, unambiguous pickup selection.
  • The short scale enables rapid position shifts and relaxed left-hand tension.
  • The Dynamic Vibrato offers wide, singing pitch drops — not just subtle wobble.
What does not
  • It does not have humbuckers.
  • It does not use a fixed bridge.
  • It does not feature a 25.5-inch scale.
  • It does not include active electronics.
Use it if
  • Players who value immediate tactile control over tuning stability.
  • Players with smaller hands or those exploring microtonal or detuned textures.
  • Writers and performers building angular, staccato-driven parts.
Skip it if
  • Players needing reliable tuning across extended live sets.
  • Those seeking warm, full-bodied clean tones at low gain.
  • Anyone unwilling to adjust technique for floating-bridge intonation.
The written brief1 min read

What it is and what it was built for

A solid body electric guitar introduced in 1964 as Fender’s new student model — built for accessibility, not prestige.

How it works, in terms a player would use

Two angled single-coil pickups. Each has its own on-off-on switch — no selector blade. One master volume and one master tone. The vibrato uses the Fender Dynamic Vibrato tailpiece and a floating bridge.

What it does better than anything else

Switching between pickup combinations is faster and more direct than on any Fender of its era. The 22.5-inch scale gives exceptional left-hand ease for small hands or fast position shifts.

What it does badly

The floating bridge and Dynamic Vibrato make tuning unstable during aggressive use. Short scale lengths limit string tension and low-end authority. Master controls offer no pickup-specific tone shaping.

What people made with it

Post-punk, indie rock, and garage bands used its wiry snap and quick-switching to cut through dense mixes — often detuning or abusing the vibrato for texture.

Who should use it, and who should not

Players with smaller hands, those who prioritise switching speed over tuning stability, or anyone building a short-scale-focused rig. Not for players who rely on consistent intonation across long sessions or need thick rhythm tones.

Is it worth your time

Yes — if you want a short-scale guitar with immediate, tactile switching and vibrato that bends pitch without choking the string. No — if you need stable tuning under heavy use or standard-scale ergonomics.

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Big MuffElectro-Harmonix · 1969The Big Muff Pi is a 1969 fuzz effects pedal with four transistors, two soft-clipping stages, and a tone stack that scoops mids when centred. It delivers smooth, saturated, bass-heavy sustain at any volume—making small amps sound bigger. It was intended to mimic Hendrix but became heavier and more distinctive. It does not offer gain staging, midrange recovery, or dynamic clean-up.
9:22
Fender CoronadoFenderThe Fender Coronado is a true hollow-body electric guitar with no central block, designed in 1965 by Roger Rossmeisl to capitalise on the rising popularity of semi-acoustic guitars. It delivers natural resonance and a bright-and-deep tone, but feeds back at high volumes and failed to win over jazz guitarists due to its bolt-on neck. It found belated favour for what it does sonically—not what it was meant to be.
9:11
Epiphone CoronetEpiphoneThe Epiphone Coronet is an Epiphone-exclusive, entry-level solidbody electric guitar with a single P-90 pickup, one volume and one tone control. First introduced as an amplified archtop in 1939, it was reclassified as a solidbody by 1961. It has been manufactured across multiple eras — 1959 US production, 1960s Dwight-branded variants, discontinuation in the 1970s after Epiphone moved overseas, a late-1990s Korean reissue, and a 2020 reissue. It offers no pickup switching, no neck pickup, and minimal control options. Its design prioritises simplicity and direct tone over versatility or refinement.
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