audiobriefs
9:44in productionCh. 1 · What it is/ 9:44 · ceiling 15 min
DJ gear · Mixing & mastering

Allen & Heath Xone:92

A DJ mixer that puts dual VCFs and tempo-tap LFOs on every channel — then refuses to evolve.

The Allen & Heath Xone:92 (Old Design) is a discontinued 4+ channel DJ mixer. It features dual voltage-controlled filters and low-frequency oscillators. You assign either filter to any channel using switches — including to the cross fader. A tap button sets LFO speed to match tempo or lock in a custom rate. It includes a semi-parametric equalizer. Rackmount is optional. It was replaced by the Xone:92 MK2. It is no longer sold.

Chapters & takeaways4
  1. 0:48
    What it is

    It is a 4+ channel DJ mixer — not a studio console, not a synthesizer, not a controller.

  2. 2:32
    How it works

    Two VCFs, two LFOs, tap-tempo, assignable per channel or to the cross fader, plus semi-parametric EQ.

  3. 4:18
    What happened to it

    It was replaced by the Xone:92 MK2 and is no longer sold.

  4. 6:10
    How it fits in a rack

    Rackmount is possible but optional — and priced separately.

Worth your time?

Yes. Use the whole thing.

3.5/ 5
What works
  • assigning filters per channel
  • tempo-syncing LFOs via tap
  • shaping club sets with crossfader-triggered resonance
What does not
  • support DAW integration
  • offer USB audio
  • allow firmware updates
  • scale beyond four channels
Use it if
  • DJ who already owns and relies on its VCF/LFO workflow
Skip it if
  • anyone buying new
  • producers needing software sync
  • studios requiring expandability
The written brief1 min read

What it is and what it was built for

The Xone:92 (Old Design) is a discontinued 4+ channel DJ mixer built for live filtering, tempo-synced modulation, and hands-on channel EQ.

How it works, in terms a player would use

It gives you two voltage-controlled filters and two LFOs. You assign either filter to any channel using physical switches. You can route a filter to the cross fader. A tap button sets LFO speed to match tempo or lock in a custom rate. It has a semi-parametric equalizer per channel. Rackmount is optional.

What it does better than anything else

It assigns dual VCFs to individual channels or the cross fader more directly than most mixers of its era. The tap button gives immediate, tactile LFO tempo alignment without menus or screens.

What it does badly

It does not scale beyond four channels. It offers no digital connectivity, no USB audio, no software integration. Its rackmount is optional and unpriced. It cannot be updated or expanded.

What people made with it

People used it to shape club sets with real-time filter sweeps, crossfader-triggered resonance peaks, and rhythmic LFO pulses across multiple decks.

Who should use it, and who should not

A working DJ who already owns one and relies on its VCF/LFO workflow should keep using it. Anyone else should choose the MK2 or a current alternative. It is not for producers needing DAW integration or modular expandability.

Is it worth your time

Only if you need assignable VCFs and tempo-synced LFOs on a 4+ channel DJ mixer no longer sold. The MK2 replaced it. There is no upgrade path from this unit.

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