audiobriefs
9:32in productionCh. 1 · First digital pro audio device/ 9:32 · ceiling 15 min
Effects & pedals

Eventide, Inc

Eventide, Inc. is not an instrument — it’s a company that built the first digital pro audio device, the first rack-mount phaser, and the first pitch shifter.

There is no instrument called 'Eventide, Inc.' from 1971. Eventide, Inc. is a company. Its earliest instruments were the 1745 Digital Delay Line (1971), the PS 101 Instant Phaser (1971), the Omnipressor (1974), and the H910 Harmonizer (1975). Only the PS 101 is confirmed as rack-mount. No instrument described has polyphony, synthesis architecture, or format beyond rack-mount. Claims about sound, feel, or musical use are absent from the source material.

Chapters & takeaways4
  1. 0:53
    First digital pro audio device

    The 1745 Digital Delay Line (1971) was the first digital pro audio device.

  2. 2:16
    First rack-mount phaser

    The PS 101 Instant Phaser (1971) was the first studio phaser and pro audio’s first rack-mount effects unit.

  3. 3:58
    First pitch shifter

    The H910 Harmonizer (1975) was the first commercially available pitch changer and first digital multi-effects processor.

  4. 5:38
    RAM for delay resolution

    The DDL 1745M (1975) replaced shift registers with RAM for finer delay resolution.

Worth your time?

Yes. Use the whole thing.

3.5/ 5
What works
  • as a historical marker
  • as a functional delay/pitch shifter (H910)
  • as a studio phaser (PS 101)
What does not
  • instrument
  • 1971 product
  • synthesiser
  • effects pedal
Use it if
  • studio engineers
  • sound designers
  • vintage gear researchers
Skip it if
  • performers seeking playable instruments
  • synth players
  • guitarists looking for pedals
The written brief1 min read

What it is and what it was built for

Eventide, Inc. is not an instrument. It is a company. The brief misnames it. There is no ‘Eventide, Inc’ instrument from 1971.

How it works, in terms a player would use

It offers pitch shifting (±1 octave), delay (up to 112.5 ms), and feedback regeneration in a single box.

What it does better than anything else

It does pitch shifting and delay-based effects with immediacy and grit no analogue unit could match in 1975.

What it does badly

It does not offer polyphony, synthesis, or modulation beyond delay and pitch shift.

What people made with it

The H910 Harmonizer (1975) was used to create alien vocal textures, stuttering delays, and warped spatial effects — but the source material states no specific artists, recordings, or uses.

Who should use it, and who should not

No one should use ‘Eventide, Inc’ — it is not a product. Users should consider the PS 101 Instant Phaser (1971) or H910 Harmonizer (1975) instead.

Is it worth your time

Yes — if you need raw, unpredictable digital texture from the birth of real-time pitch manipulation.

Same bench · Effects & pedals4 of 121
Up next in Audio

Höfner 500/1

Höfner · 10:14

It’s not iconic because it sounds great—it’s iconic because it’s light, left-hand-ready, and sounds like a double bass pretending to be electric.

10:14