audiobriefs
8:02in productionCh. 1 · Hybrid heart/ 8:02 · ceiling 15 min
Synths & drum machines · Instruments

Roland Juno-2 / Alpha Juno-2

A studio synth that gives you analog filters and velocity response — but locks you into one sound at a time.

The Roland Juno-2 (Alpha Juno-2) is an 80s hybrid synth: analog filters and voice path, digital control over oscillators, envelopes, LFO, PWM, and chorus. It has 64 factory and 64 user patches, a velocity-sensitive 61-key keyboard, and a single digital wheel for editing. It lacks computer update capability and rack-mounting. Real-time sound switching is slow. It was built for studio use — not live performance.

Chapters & takeaways4
  1. 1:02
    Hybrid heart

    Digital controls run everything — but the signal stays analog.

  2. 2:06
    One wheel, real filters

    One wheel edits all — and the filters are truly analog.

  3. 3:14
    Touch matters, switching doesn’t

    Velocity sensitivity helps expression — but changing sounds breaks flow.

  4. 4:50
    Plenty of space, no updates

    128 patches fit in memory — but you can’t load new ones from a computer.

Worth your time?

Yes. Use the whole thing.

3.5/ 5
What works
  • immediate-analog-filter-access
  • velocity-sensitivity
  • compact-studio-form-factor
What does not
  • live-performance
  • computer-integration
  • modular-expansion
Use it if
  • studio-composers
  • analog-filter-focused-users
  • vintage-keyboard-collectors
Skip it if
  • live-performers
  • MIDI-integration-users
  • rack-based-studios
The written brief1 min read

What it is and what it was built for

The Roland Juno-2 (also called Alpha Juno-2) is an 80s hybrid analog synthesizer built for studio-based sound design and composition, combining analog filters and voice architecture with digital parameter control.

How it works, in terms a player would use

It uses a single digital wheel to navigate and edit all parameters — DCOs, LFO, envelopes, waveforms, noise, PWM, filters, chorus — while routing analog signal paths through real analog filters and a velocity-sensitive keyboard.

What it does better than anything else

It delivers immediate, tactile access to analog filter tone via digital control — more direct than the Juno-1’s non-velocity keyboard and simpler than fully digital interfaces of its era.

What it does badly

It switches sounds slowly, making live performance awkward. It cannot be updated by computer. It is not rack-mountable.

What people made with it

The sources do not state what people made with it.

Who should use it, and who should not

Studio composers who value analog filter character and want a compact, velocity-sensitive keyboard should use it. Live performers needing fast patch changes or modular integration should not.

Is it worth your time

It is worth your time if you want an affordable, hands-on analog synth for studio work and are comfortable with slow preset switching and no computer integration.

Same bench · Synths & drum machines4 of 241
9:56
Roland D-20RolandThe Roland D-20 is a 1988 digital synthesizer using Linear Arithmetic synthesis. It offers 32-voice polyphony, 8-part multitimbrality, a 61-key velocity-sensitive keyboard, an 8-voice sequencer with rhythm track, a built-in arpeggiator, reverb effects, and internal/external memory storage. LAS programming revolves around tones, partials, and timbres—a method that is difficult to learn but capable of unique results when mastered. It was produced from 1988 to 1992.
10:15
Roland JX-10RolandThe Roland JX-10 is a 12-voice analog keyboard synthesizer introduced in 1986. It combines two independent 6-voice Tone Modules for layering and splitting. Its 76-note velocity-sensitive keyboard includes aftertouch. Internal memory holds 64 patches, each configurable as one 12-voice tone or two 6-voice tones. Original firmware lacks SysEx for Tone or Patch data—but updating it restores that capability. PWM was omitted despite existing hardware resources. Its architecture differs sonically from the JX-8P due to distinct chorus and amplifier sections.
8:32
Roland MKS-70 Super JXRolandThe Roland MKS-70 is a 1986 2U rack-mount analog synthesizer module. It combines two JX-8P engines for 12-voice polyphony and dual-tone layering. It stores 100 patches, each built from two of 64 tones. Chorus has only off/slow/fast settings. Chase-play enables delayed voice repeats. Front-panel editing is cumbersome and tedious. Full SysEx control and PC editing require firmware v1.08. It has three stereo outputs: one per tone and one mix. It lacks arpeggiator, sequencer and keyboard.
8:59
Roland Jupiter-6RolandThe Jupiter-6 delivers focused, hands-on bitimbral control and waveform stacking unavailable on the Jupiter-8 — but locks you into rigid voice splits and omits expressive dimensions like aftertouch.
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