audiobriefs
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Computing

The machine that ate every other machine.

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8:02

Roland MC-8 Microcomposer

Roland

The Roland MC-8 Microcomposer is a pioneering CV/Gate sequencer from early 1977. It uses an Intel 8080A CPU and 16 KB RAM to store up to 5,300 notes. It enables polyphonic sequencing via CV/Gate allocation and precise, rapid control of VCOs, VCFs, and lighting. It was designed for large modular systems like the System 700 and System-100M. It does not support real-time recording well and lacks modern interface conveniences.

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9:43

Epiphone Crestwood

Epiphone

The Epiphone Crestwood is a solid-body electric guitar introduced in 1958. It has no Gibson equivalent. It evolved through named variants—Crestwood Custom, Crestwood DeLuxe—before ending production in 1970. Its construction is mahogany. Its pickups are New Yorker. Its headstock changed from three-on-a-side to six-on-a-side. Its pickguard changed design and lost the Epiphone logo. Its fretboard markers changed from dots to ovals. Its plating changed from gold to nickel. Its upper horn lengthened slightly by 1963. The Crestwood DeLuxe added a third pickup and an ebony fretboard with block inlays.

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8:08

Moog synthesizer

Moog · 1964

The Moog synthesizer is a modular, voltage-controlled analog synthesizer invented by Robert Moog in 1964. It was the first commercial synthesizer and established the analog synthesizer concept through its use of patch-cord-connected modules—including voltage-controlled oscillators, filters, envelope generators, and amplifiers—to implement subtractive synthesis.

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8:27

Streamer bass

Warwick

The Streamer bass is a functional, ergonomic, and legally contested instrument. It does one thing well: deliver focused low-end articulation in a comfortable, German-built package. It does nothing else — no tonal flexibility, no innovation, no independent identity in its first years. Its history is defined by imitation, negotiation, and eventual divergence — not invention.

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8:47

Warwick Thumb SC

Warwick

The Warwick Thumb SC is a 2010 single-cut bass born from a fan forum contest. It adapts the Thumb NT shape with new tonewoods and adds coil-splitting via two mini toggles—its sole functional departure from the NT. It has no passive mode, no 6-string option, and no historical lineage beyond its 2009–2010 development cycle.