Topic

Editing

Where the film is actually made.

1: in audio
10:12: average
10 min: in total
36: across the network

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10:12

Pro Tools

Digidesign · 1989

Pro Tools is a digital audio workstation used for music creation, sound for picture, and audio recording, editing, and mastering. It operates as standalone software and with external analog-to-digital converters and PCIe cards with on-board DSP, which provides additional processing power for real-time effects and lower latency. It performs multitrack tape recorder and mixing console functions plus digital-only features including non-linear and non-destructive editing, track compositing, time compression and expansion, pitch shifting, and faster-than-real-time mixdown. Audio, MIDI, and video tracks are graphically represented on a timeline. Audio effects, virtual instruments, and hardware emulators can be added, adjusted, and processed in real-time in a virtual mixer. It supports 16-bit, 24-bit, and 32-bit float audio bit depths at sample rates up to 192 kHz.

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9:43

Epiphone Crestwood

Epiphone

The Epiphone Crestwood is a solid-body electric guitar introduced in 1958. It has no Gibson equivalent. It evolved through named variants—Crestwood Custom, Crestwood DeLuxe—before ending production in 1970. Its construction is mahogany. Its pickups are New Yorker. Its headstock changed from three-on-a-side to six-on-a-side. Its pickguard changed design and lost the Epiphone logo. Its fretboard markers changed from dots to ovals. Its plating changed from gold to nickel. Its upper horn lengthened slightly by 1963. The Crestwood DeLuxe added a third pickup and an ebony fretboard with block inlays.

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8:08

Moog synthesizer

Moog · 1964

The Moog synthesizer is a modular, voltage-controlled analog synthesizer invented by Robert Moog in 1964. It was the first commercial synthesizer and established the analog synthesizer concept through its use of patch-cord-connected modules—including voltage-controlled oscillators, filters, envelope generators, and amplifiers—to implement subtractive synthesis.

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8:27

Streamer bass

Warwick

The Streamer bass is a functional, ergonomic, and legally contested instrument. It does one thing well: deliver focused low-end articulation in a comfortable, German-built package. It does nothing else — no tonal flexibility, no innovation, no independent identity in its first years. Its history is defined by imitation, negotiation, and eventual divergence — not invention.

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8:47

Warwick Thumb SC

Warwick

The Warwick Thumb SC is a 2010 single-cut bass born from a fan forum contest. It adapts the Thumb NT shape with new tonewoods and adds coil-splitting via two mini toggles—its sole functional departure from the NT. It has no passive mode, no 6-string option, and no historical lineage beyond its 2009–2010 development cycle.